• Artwork Title: Blessed_Nature_ 80 x 80 cm Series: Body Way Artist: Marcus Luconi Year of Capture: 2004 Location: Cambará, RS, Brasil Original Medium: Ilford HP5 400 ISO Camera: Hasselblad 503 CW Print: Fine art archival pigment print Edition: [número da edição]
  • Analog black and white photograph, captured in 2004 and recently digitized. This original work reflects an intimate connection between the body and nature, where the female figure moves in the shadows as if searching for the light. The timeless texture of IlfordHP5 Plus film enhances the contrast, creating a mysterious atmosphere in which the body merges with the forest and a delicate waterfall in the background. Enigmatic, yet harmonious, the image evokes strength and serenity, balancing the human presence
  • Analog black and white photograph, captured in 2004 and recently digitized. This original work reflects an intimate connection between the body and nature, where the female figure moves in the shadows as if searching for the light. The timeless texture of IlfordHP5 Plus film enhances the contrast, creating a mysterious atmosphere in which the body merges with the forest and a delicate waterfall in the background. Enigmatic, yet harmonious, the image evokes strength and serenity, balancing the human presence
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Marcus Luconi Fine Art Photography

Blessed Nature_80x80 cm

Blessed Nature_80x80 cm

R$ 8.000,00 BRL
R$ 10.000,00 BRL R$ 8.000,00 BRL
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Nymph of the Waters and the Forest,
 is a black-and-white fine art photograph from the Body Way series, exploring the intimate bond between body and nature. Originally shot on Kodak Tri-X 400 and Ilford HP5 Plus 400 film, the image was digitized with high fidelity in 2025, preserving the tonal depth, organic grain, and timeless character of the original negative. Printed on Hahnemühle FineArt paper, this 80 x 80 cm edition offers museum-quality detail, rich texture, and lasting presence. Delivered rolled worldwide, it is designed for collectors who value poetic, contemplative, and enduring photographic works.

 

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